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An attempt to decipher symbols or writings seen on UFOs in the few instances where such markings are reported is stymied by misinterpretation of markings that aren’t intelligent attempts to communicate or are hoaxed concoctions, such as the UMMO logo.
One of our obsessions has been the symbol or insignia reported by Officer Lonnie Zamora during his sighting of an egg-shaped craft in Socorro, New Mexico, April 24th, 1964.
His drawing and observation has been compromised by the allegation that the popularly known symbol is not what he really saw, but a substitution, suggested by an Air Force investigator to hoodwink possible copycat UFO witness.
(We’ve dealt with that foolishness earlier here and elsewhere, along with our views of what and where Zamora’s symbol originated; the real symbol and the contrived symbol.)
Another account of symbols allegedly observed shows up in accounts of Jesse Marcel Sr, and Jr. who reported that the debris they gathered or saw was rife with hieroglyphic-like markings.
What those markings were has been debated often and long in UFO circles, and we dismiss the Marcel reports here to avoid a rehash of the controversy.
The question for us is how could an extraterrestrial civilization or culture develop symbols or markings that are clearly recognizable or understood by Earthlings?
Sensate human writing, symbolism, and abstract mathematical renderings evolved from about 10,000 B.C. and derive from the cultural milieu that is unique to this planet and its inhabitants.
Cave paintings originated even earlier, from 40,000 B.C. but also remain unique to the human environment.
And even then, the diversity of writing and pictorial representation, acting to supplement the variety of linguistic communication, could not replicate what an alien culture would have developed to communicate within their civilization.
Ancient alien devotees will say that if there is any similarity between UFO markings and human elements of communication, the similarity derives from contact between ancient astronauts and human beings early in the history of mankind.
I won’t dismiss the AA Hypothesis out of hand, here, but will set it aside to make other points.
Mathematical symbols and mathematical processes are unique to humankind, and a quirky abstraction that could hardly be identical to concomitant extraterrestrial abstractions.
The odds of an alien culture coming up with mathematical symbols and processes like ours is beyond a statistical probability.
(Read Mathematical Thought, Volume 1, by Morris Kline, Oxford University Press, NY, 1972 to see the gist of my view.)
Either human thinking is unique or the culture subtext of imaging and writing permeates the Universe, and would have had to be generated by a prima causa – God?
Non-believers would be aghast at the suggestion that one supreme thought process infected all living, sentient things in the Universe, but that would be the only agent by which alien civilizations could have similar symbolic manifestations to those that evolved on Earth.
(Of course, one can posit that UFOs come from our future, or past, but that begs the question for some.)
Moreover, if UFOs and their markings come from inter-dimensions, alternative universes, or a realm yet to be discovered or imagined, would the mode of communication for the inhabitants of those esoteric venues be similar enough to ours to resonate?
The UFO markings gathered (or created) by Adamski and a few other UFO “witnesses” are so unesthetic and illogically represented that one can discount their authenticity out of hand.
Egyptian hieroglyphics. Sumerian clay indentations, and even cave paintings have an inherent logic and beauty to them, while markings remembered or drawn by supposed UFO witnesses are sloppy and without cryptological sense, as far as we can tell.
(Maybe extraterrestrial cultures are messy or illogical, but that would presuppose an ability to move between realities despite a lack of methodical coherency of any kind.)
If UFOs represent craft of a non-human kind, would they have insignia on them at all?
The Zamora-seen craft’s insignia is conjectured by Anthony Bragalia as a NMIT student creation as part of the activity that he writes they engaged in to prank Officer Zamora.
We see the Zamora symbol as representation by Hughes Aircraft/Toolco engineers who created the prototypical planetary lander for the military or government.
The IU engineer who remembered a hot-air balloon excursion by a paper company sees the Zamora symbol as the paper company’s logo.
Believers in the extraterrestrial explanation see the Zamora insignia as an alien symbol.
The Rendlesham symbols, remembered by one of the military witnesses seems to portray script and/or images that bespeak an Earthian origination.
A true, alien visitation would hardly display a recognizable albeit inscrutable symbol that resembles a human creation….because an alien culture would not have evolved in a way that communication or identifying marks (symbols) would be so near to what humans would construct or create.
It’s an incongruity to conjecture that UFOs would mimic human endeavors or simulated symbols; that is, unless one posits that UFOs are figments of a kind that tease human beings (the Vallee hypothesis) or that UFOs distort reality to some unfathomable end, as Spanish UFO researcher Jose Caravaca believes.
(Caravaca also questions why Betty Hill’s aliens would have, on their craft wall, a map of their interplanetary routes; such a depiction so unfuturistic and prosaic seemingly, when we humans, today use GPS or Google maps on computers to find our way around our habitable planet.)
Until we get a clear depiction of a UFO symbol or mark, from a credible witness or source, whether by photography or observation, I think we can rule out the idea that extraterrestrials are using insigniae in the same way that we Earthlings do.